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oboe scale exercises

C major scale ascending and descending, with half notes and legato at 60 beats per minute. Share the post if you like it and Subscribe to the YouTube channel to be aware of all the news, there will be new videos every week!! First, hold the reed with just your thumb and pointer finger up to your mouth and set the embouchure, remembering to open the jaw and bring the lips forward in an “ooo” shape. Try to articulate the note from silence five times in a row without drifting from the pitch. This is the easiest of the exercises and is the most appropriate one for beginners, though I think all three can be introduced during the first few years of oboe education. Horn. Oboe; oboe, bass instrument (bassoon/cello) Navigation etc. I am always continuing and collecting research from other oboists and my own experiences to provide free resources to students and teachers. If you like the content I’m creating in MusicBayside and you want to support my project with a monthly donation starting at 1$, you can visit my Patreon page www.patreon.com/musicbaysideoboe, where you can find all the information about it! Connecting the notes with a glissando is also fun. View: 778. You can find more exercises and tutorials as well on the Website www.musicbayside.com where all the digital content is available and also you can Subscribe to the Newsletter to be aware of all the news. Additionally, every oboe maker uses a different amount of undercutting beneath the toneholes. It will work better if you can do this from memory so you can focus on the feel of the reed. Mechanism exercise in C Major with quarter notes portato ascending and descending beginning from each note of the scale. I am always continuing and collecting research from other oboists and my own experiences to provide free resources to students and teachers. You can also contact me by email at mail@musicbayside.com. You can then try variations of this exercise, like playing the A-flat with no hands on the reed. This can only be achieved with total control of the top lip, since the top lip is the manipulating lip on the reed. The drone can be set on the tonic of the scale while you or the student plays the scale in quarter notes at around 70 BMP. This next exercise requires that you set your embouchure in a way that will support the reed without interfering with the vibration. Have you hear about Patreon? If you want to stay up to date with new material. Long tones in various dynamics should be part of daily practice. The reed may have been overwound during the tying stage – this cannot be fixed, but this is a topic for another time. Eventually the drone should be set to sound each scale degree so that the different intervals can be tuned and the mouth and air will gain the flexibility to voice notes to different parts of a chord. There is a reason why orchestral oboe sections will prefer that players purchase an oboe compatible with the section. Having a good reed that allows the player to blow freely through the instrument and play in tune with minimal manipulation with the embouchure is key. And in the the Website of MusicBayside Oboe  www.musicbayside.com you will find information about how to get online lessons and personalized attention. Another workout that can be incorporated into daily practice is slow scales with a drone. I learned the second two from Dr. Andrew Parker, Assistant Professor of Oboe at the University of Texas in Austin. You can follow me on my Social Networks like Facebook, Twitter and Instagram. If you want to see the full video about the #7 Exercises of Mechanism and Articulaction with the Oboe based on the C Major Scale, you can find it below: How to work the Articulation and Mechanism with the Oboe.

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