drum overhead mic stand
The stand spans from 49″ to 73″ tall. The counterweight also helps to keep the boom balanced. Featuring a 22-pound cast-metal base, the K&M drum overhead mic stand does feel a little cheap when compared to the Atlas stand. The adjustment knobs are made from cheap plastic and feel as if they would break easily if you traveled with these stands. This mic stand comes in pairs. At the center of this whole structure lies the very firm cast grip boom tilter. Also, you may have the mic tipping over or close to that, when you attach a heavy mic at the end, especially when it is tilted downwards. The weighted base really helps with extending the boom arm further and the added height is a bonus. This piece is essentially, just the base. Rather than the common way of changing the height of most stands, the MC-125 gives you a much easier quarter turn. Posted in Gear | Last Updated on May 1, 2020. This drum overhead mic stand is perfect for anyone starting a home project studio or drummers who need overhead microphone stands for the stage. Now we’re getting to the big dogs. This drum overhead mic stand has 62” mic boom and goes from 49″ to 73″ in height. Using this mic on stage, it has a somewhat clumsy look because the vertical parts extend beyond the control. I once had an earlier model of this stand that I toured with and the plastic knobs broke right off inside my hardware case. Due to its high-quality construction, MSP77033 is considered as the best drum overhead mic stand ever made to use in the studio. Additionally, the stands offer a balanced base with rubber tips. A drum overhead mic stand is generally used in recording studios, practice spaces, and on stage. First off, the casters on this drum overhead mic stand are amazing. The On Stage SB96+ is a surprisingly well-made drum overhead mic stand for the price. The base is designed to hold the weight of the stand and whatever mic you decide to attach. It’s the top of the line boom-stand! If your budget is small, this stand will get the trick done. Here are our reviews of the 7 best overhead mic stands: This TAMA stand is a sturdy, rugged one that can serve many needs. The MC-125 also features locking casters that really don’t move. This stand is also the first on our list to feature an adjustable counterweight. Also, this stand can be used for different purposes. The lever control feature is one cool thing that I’ve noticed with this stand. The Triad-Orbit stand is definitely the outlier on our list, but it’s definitely worth mentioning. These tips help to make sure that the stand doesn’t keep the slide on the floor as a result of vibrations. All you need to do is turn the adjuster through 90 degrees, and it’s loose. Rode NT5 Condenser Microphones Matched Pair. The quality of the build is mind-blowing. For the price of the Latch Lake stand, you can just about buy two Atlas Sound stands! It’s definitely one of the more expensive stands, but is absolutely well worth it. This is basically the exact same stand we just talked about with a 17lb base. Even though it’s a lever, it gives you varying levels of tension, so you can control how tight or loose it gets, though most people want it very tight. I really wish this mic stand had an adjustable counterweight. The stand is also equipped with very quiet, ball-bearing swivel casters like you’d see on a road case. Vibration from the floor won’t get into the overhead mic because the legs have plastic endcaps that prevent it. This lever control is also used to adjust the boom length. Did you end up buying one? An overhead drum mic is one of the most used mics for this kind of instrument because they can be installed over the head of the player or height of the drum. Not only is this knob annoying in use, but it also wears out easily and doesn’t tighten the way you want it. Because most times, overhead mics usually have their boom extended almost all the way, it’s essential that the stand has to be well balanced on its legs. Either you’re recording in a studio, or you’re miking your drums for a live performance, you need those overheads to capture the sound from your cymbals and also to give the whole drums unit a more natural feel. The products listed in the table below are of a varying price range — both affordable and expensive. Another excellent feature of this stand is the 35–pound cast base. To stand the test of time, there are a few things that a drum overhead must-have. For a little more, you can eliminate the sandbags. Keep this in mind while setting up. It stands on four wheels which can be locked into place. Let’s talk about the bad now. I should just end it here. The counterweight is made from die-cast and weighs 5.75 pounds. Adjust the height and turn it back through the same quarter turn and it locks back. Keep reading to get a more in-depth review of each drum overhead mic stand. While the product is affordable, it features a lot of things that may be useful in your home studio. With one single knob, you can loosen the boom to slide it up and down, turn it through an angle and tilt it up and down. You’re not going to get the highest-quality casters or the best adjustment knobs, but for a pretty low price, you can have a stereo set of overhead microphone stands for your home or project studio. 143 dB SPL. This can be quite useful for smaller live stages. Just wow. The Ultimate Support drum overhead mic stand is the first one on our list that feels a bit more quality. Legs … When I locked this stand in place, it actually didn’t move when I attempted to roll it around. It can be a good pick for musicians and engineers that move around a lot. Most drum overhead mic stands offer an adjustable counterweight on the boom arm. One of the crucial features is the balance. This ensures your microphones stay safe. You may need to perform routine checks on the nuts and joints of this stand more often because some of them can get a little loose with time. It is a high quality mic stand composed of steel sheet plastic leg housing that makes it unbreakable. Some other stands loosen their grip in the course of performance or concert, mainly because of vibrations of the drum platform and parts. This means that you can use it as a drum overhead, as well as a singer’s mic stand. The locking mechanisms work so well on these stands. The casters are made from very cheap plastic and the locks do very little to keep the stand in place. Here’s where the stands come in: To hold overhead mics, you need tall mic stands that will give you enough room for correct placement above the drums. Our best pick has to be the Atlas Sound SB36w. This is because even when it’s loose, it holds itself in place. MicKing 2200 is another unique overhead mic stand. You can be sure that this mic stand will retain that look years after the first use. Obviously, this is not a stand you will take on tour, but it is the ultimate drum overhead microphone stand for in the recording studio. However, this mic stand really represents value for money spent in more ways than one. Taller and longer than most stands. Telescopic pole with quiet clutch. Grab two of these on wheels and you’re set for life! For the 21090, you can be sure that as soon as you lock these parts into place. Wow. Having the 17lb weight will really come in handy, as I like to use heavier microphones for overheads. Once you have the stand in position, you can apply the brakes to keep the wheels at the spot. There may be affiliate links on this page and on others. They are perfect for anyone with expensive microphones; this stand will keep them safe. Drum overheads are important pieces when miking drums. It has a 7′ boom and a 7′ mass, combined to be a 14′ stand. Latch Lake’s microphone stands are top of the line when it comes to build quality. Designed for studios and drummers. The On Stage SB96+ is one of the most affordable overhead microphone stands on the market. The On Stage SMS7650 is a more serious version of the SB96+. Be sure to check out our guide on the best drum mic kits. The stand height with casters ranges between 51.5″ – 82.75″. The SB96+ drum overhead mic stand has a removable 7 inch arm extension, a 40-tooth boom clutch, an extra long telescoping boom arm, a solid steel counterweight, reaches a height of 76 inches, as well as locking casters. With many options on the market, it can be hard to pick out the best drum overhead mic stand. The vertical shaft can be up to 76 inches tall while the boom arm can extend as far as 79”. If it was me and it was between the two On Stage stands, I would definitely pick the SMS7650.
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